Major Harmonic Revisited

The last scale-of-the-day I blogged about (back on February 20) was the Major-Harmonic scale, and when I wrote my post about this particular pattern I found myself with little good to say about it (much to my own surprise). I complained about the clich├ęd cadence that this pattern allowed, and surmised that it may well have been the first scale to which I was impelled to give a thumbs down. This negative assessment was no doubt impacted on quite considerably by the fact that that weekend I was supposed to get my first 8 hour sleep since 2006 (pregnancy, newborn, toddler who doesn’t sleep through) and thanks to noisy hotel neighbours it just didn’t happen. But I think maybe more germane to my disdainful summary was that I was only thinking about this pattern in its C incarnation. This is an important point, because I know full well that the physical sensation of any pattern changes from one semitone to

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