The rationale behind the Getting to books

Back in January I had a great time doing a short tour (Brisbane, Sydney, Melbourne, Perth) with Samantha Coates (of Blitz Books fame) and Abe Cytrynowski (the inventor of the fabulous ScaleCard system). In Brisbane, Melbourne and Perth we just did a long morning session at one of the larger retailers in each city, but in Sydney Samantha hired the Music Workshop at the Sydney Conservatorium and we did a full day event, along with amazing catering and an events team that worked like clockwork. The day ended with an energetic panel discussion. We took questions from the more than 100 teachers present, and did our best to cover everything in the 45 minutes scheduled for the panel. Despite our best efforts there were still questions left unanswered, and we collectively promised we would address each question at http://www.blitzbooks.com.au but as it turns out many of the questions aren’t really appropriate for Sam’s theory/sight-reading/note-reading/general knowledge oriented website. So here I

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P Plate Piano Book 2: Composers

Today marks the first day P Plate Piano is available for sale in Australia, and I’ve been too sick to drag myself out of bed, let alone get into a shop to see how they might have this beautiful looking series displayed.  [If you want to see the cover design it’s currently up as the splash page for the still-under-construction website http://www.pplatepiano.com.au%5D But I think I might have enough energy (having been asleep most of the day, and having Tom at his grandparents’ place), to write up a quick piece about the composers who are included in P Plate Piano Book 2. Of course, I’ve used many of the composers whose work featured in P Plate Piano Book 1, so I won’t detail these composers, except to list them: Anita Milne (yes, my mum, who now has her pieces in 4 publications), Jane Sebba (pieces from her fabulous Piano Magic method books), Daniel Gottlob Türk (composer from the Classical period who

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