The Harmonic Language of Ringtones

I’ve always been a Nokia phone user until now, the arrival of my new generation iPhone, and checking out the new ringtones in such close proximity to writing my Scales as Propaganda blog entry made me listen to my options with slightly different ears.  Each phone I’ve upgraded to has had improvements in the quality of sound used for the ringtone, but each new upgraded phone has also had a completely new suite of tiny compositions competing for my approval. How do these micro-musics reflect the pitch patterns of our day?  A quick analysis of my new iPhone options: To start with let’s subtract from the 25 standard ringtones the non-pitched or single-pitched options:  ‘Bark’, ‘Boing’, ‘Crickets’, ‘Duck’, ‘Motorcycle’, ‘Old Car Horn’, ‘Pinball’, ‘Robot’, and arguably ‘Digital’ which is pitched, but basically just use old-fashioned fax or dialup-style harmonics, ‘Alarm’ which is also a harmonic-derived sound which really only signifies ‘alarm’ in any sonic sense, ‘Timba’ which is a drumming

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