P Plate Piano: the composers in Book 1

The┬áP Plate Piano series will be available for sale in Australia on November 4, so I think it’s time for me to talk about the composers whose material I’ve used to create this series. Book 1 starts at roughly the point that a traditional method Book 1 ends – students are expected to know the basic mechanics of playing notes on the keyboard, reading steps and skips (2nds and 3rds), staccato and legato, rests, basic dynamic markings, and to be comfortable playing black notes and reading flats and sharps when placed directly before a note, while all the time playing within a set five-finger position. There are precious few composers who choose to create works within these extremely restricted parameters, but I found that, about 200 years after piano lessons really started taking off in the middle class, there is now at least a body of work from which to select the very best at this early stage of study,

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